Comet 1744

The comet of 1744 (Ger., Eng.) must have been a remarkable celestial spectacle; up to six tails have been visible, the whole show lasted for some months. (Go here and here for lists of appearances of comets from the 15th to the 18th century, see the links that lead to illustrations.) A side effect of the comet’s appearance was that Martin KNUTZEN (1713-1751) (Ger., Eng., ADB) was shot to scientific stardom. At least in Königsberg (Ger., Eng., today).
KNUTZEN was teaching philosophy and mathesis (mathematics, physics) at the university of Königsberg, following NEWTON’s ideas. In 1738 KNUTZEN had predicted that a comet that had appeared in 1698, would show up again in 1744. This was basically totally wrong, as the great mathematicus Leonhard EULER (1707-1783) (Ger., Eng.) criticised in a letter to GOLDBACH (1690-1764) (Ger., Eng., ADB) an 23rd of June 1744:

“He seriously thinks that this comet has a tempus periodicum of 45 3/4 years, because he saw from the catalogus Hevelianus (Ger., Eng.) that nearly always after this intervall a comet appears. He believes that the one seen 1652 is identical with the one from 1698: Exploring the matter closer one finds that scarcely two comets can be found that are more different than these two.”

KNUTZEN’s short shot to fame is inasmuch more important as he was a teacher of young Immanuel KANT (1724-1804 (Ger., Eng.), who studied  at the university since 1740. KANT’s first important book, Allgemeine Naturgeschichte und Theorie des Himmels (Ger., Eng. – which by the way is not written in 1755 as the wiki-articles state, but published! – is surely not un-influenced by all the events of 1744. KNUTZEN did not accept KANT’s work in 1746 as dissertation and young Immanuel went through the home-tutor hell in the East-Prussian province for eight years; at least this enabled him to own undisturbed study and – notably the last position in the family of Count Keyserling – helped to shape his manners and allowed him access to the higher society.
In his book KANT tried to structure the world of the fixed stars, the most important impact gave him Thomas WRIGHT’s (1711-1781 (Ger., Eng.) An Original Theory or New Hypothesis of the Universe from 1750. WRIGHT explains the look of the milky way as “an optical effect due to our immersion in what locally approximates to a flat layer of stars.” The stars of the milky way are on one level in disk shape rotating around a center – all the distant nebulae are rotating disk-shaped galaxies too. They form a super-system of galaxies rotating around one center – KANT goes further and thinks that there are several super-systems. The analogy between the local solar system and higher cosmical systems works only – according to KANT – when the permanent movement of the systems as a whole is accepted: Ohne die “fliehenden Kräften” würden alle “Weltsysteme” “über kurz oder lang in einen Klumpen zusammenfallen”. Without centrifugal forces all world systems would sooner or later collapse in one clump. It will take another hundred years until Friedrich Wilhelm BESSEL (1784-1846) (Ger., Eng.) shows that the fixed stars have a motion of their own.
KANT changes the idea of space and explains the origin of it all from the basic material forces, attraction and repulsion. It is no static cosmos, the creation of solar systems and galaxies is not the end of the development, the end of the creation – in fact there is no creator God, but an ongoing periodic process of chaos and new start. And of course mankind is no singularity: “Indessen sind doch die meisten unter den Planeten gewiß bewohnt, und die es nicht sind, werden es dereinst werden.” Roughly: “Most of the planets are surely inhabited, and those which are not yet surely will.” The world is not in the center anymore, and is no exception: The Vernunft believes in a universe of inhabitable worlds and reasonable beings. Hans BLUMENBERG (1920-1996) (Ger., Eng. here) has reformulated the sky’s ambiguity KANT mentions in the Kritik der praktischen Vernunft (Ger., Eng. Text): The sight of the sky annihilates our importance by its sheer largeness, but at the same time it forces us by its sheer emptiness to take nothing else serious but ourselves.

KANT’s publisher went bancerott while the book was printed, it was delivered too late for the spring book fair in Leipzig, and thus went nearly unnoticed by the public, neither LAMBERT (1728-1777) (Ger., Eng.) nor LAPLACE (1749-1827) (Ger., Eng.) knew it.

See also: Weigl, Engelhard: Schauplätze der deutschen Aufklärung. Ein Städterundgang, Reinbek 1997

Sunday Music

Grey clouds, first snow yesterday. It’s not cold enough for the white stuff to stay. Notably the days are longer, two weeks ago at this time of the day (17:00) it would have been already totally dark.
A technical note: I am not able to comment on blogger blogs with word verification. It simply does not accept what I write into the box. No idea why, I changed no settings or something. It works well as usual n blogs without the wv, so it is a word verification problem only. I hang around the blogs as usual, temporary unable to comment – does really no harm at all.

Time for some different Sunday Music. Here comes Mohammad Reza LOTFI (*1947) (Ger., Eng.) playing Kamancheh (Ger., Eng.), accompanied by Mohammad GHAVI-HELM (discography) on Tonbak (Ger., Eng.). They play in the Niavaran Palace Complex (Ger., Eng.) in Teheran.
Here, from the same concert, LOTFI plays setar (Ger., Eng.).
I hope you enjoy it – and have a peaceful and successful week!

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Oh Well …

I wanted to write about Tashkent (Ger., Eng.). For some time, especially since the (German) review of  Stronski’s (scroll down to 2003) book came out. It did not work, another escape maybe.
It’s the 19th or 20th day of the year. Did something change? Is there something really new? The old year is closed – letters are written,  cards have been sent, the bookkeeping has been brought up-to-date. Things are prepared, all is ready, the year started again sometimes after the 6th, Heilig Drei König (Ger., Eng.) 14 days ago.
And?
I received a very nice letter that says basically nothing else but “Yes, I heared from you”. But it makes me feel happy. It triggers an idea, an illusion of something that could happen. A possibility.
I will write another letter of application tomorrow to an institution I very much like – it has no gloire, it is simply there and does a god job and I’d very much like to work for them – or maybe it is just again my imagination running wild.
There is always the big promise, the library to be catalogued, in March. I will make contact to the man at the end of this month, carefully – heck, I know! – but nevertheless with a tiny pressure: After all I was promised this thing back in September.

Tashkent is like looking at motor-car sites, travel sites – kleine Fluchten.  But there’s always the promise, the what-could-be, the idea of something different. Maybe this what keeps one (me) going.
Right now the desk is filled with papers, terrible xerox copies of handwritten notes from years ago, my customer can not read them and asks for a transscription, a very small job. A friend asked for help with an elaborate text, chapter by chapter, oh dear … it’s a bit like Stochern mit der Stange im Nebel – write Baby write! – but at the end will be an other immaculate text.
Of course.
I do not moan. I am simply very tired. Down to the bone. The time between the years was not recreational, because of the death of a friend of my father, it brought up a lot of memories, some nice and pleasant, some not. And it did not stop. I have to think a lot about death, about my own situation, and how things shall go on. Yes, there’s always the book, the escape at hand, music, art – but there is the undeniable need for a basical change. And I hope that it will come in this year. I did try hard over the last months and years, there must be a result, hopefully to the better.

Oh Well …

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